The Renaissance Transverse Flute and the Flute Consort

Directed by the LoreleyTraverso Consort

About the course

Discover the distinctive, voice-like sound of the Renaissance transverse flute in this practical introduction led by the Loreley Renaissance Traverso Consort. Unlike the modern flute, this simple wooden instrument has six finger holes and was made in different sizes so that a whole polyphonic work could be played by a family of flutes. Using instruments brought by the tutors, participants will explore how Renaissance musicians played together, learning to hear the independent voices that make up the rich texture of sixteenth-century music.

Who is it for?

Modern flautists, recorder players, conservatoire students and curious musicians are all welcome, from amateurs to professionals. No previous experience of the Renaissance flute is required. The course is open to all ages and levels, with an emphasis on exploration, listening and the enjoyment of playing together.

What to expect

Across six sessions, discover the instrument’s history, posture, breath, tone production and fingerings, using evidence from historical sources. Explore the different sizes of flute and the roles of discantus, altus, tenor and bassus, then learn to recognise characteristic cadences and imitative entries. Participants will try reading from original partbooks, including Arcadelt’s madrigal Il bianco e dolce cigno, and develop consort skills of tuning, balance, articulation and vocal-style phrasing. Dances from Pierre Phalèse’s 1571 collection introduce rhythm and simple ornamentation, leading to an informal sharing for fellow students.

Practical information